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One Art The art of losing isn't hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn't hard to master. Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. I lost my mother's watch. And look! my last, or next-to-last, of three loved houses went. The art of losing isn't hard to master. I lost two cities, lovely ones. And, vaster, some realms I owned, two rivers, a continent. I miss them, but it wasn't a disaster. --Even losing you (the joking voice, a gesture I love) I shan't have lied. It's evident the art of losing's not too hard to master though it may look like (Write it!) like disaster. Elizabeth Bishop |
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Cómo puede una mano enciende el fuego en la piel cambiando carga un reconocimiento callado Cómo hace ojos cantan sin hacer un sonido Y en el corazón palabras tácitas resuenan Y comprendo de repente por qué no hay simplemente palabras de describir - Poem written in Spanish by: Unknown How can a hand ignite fire on the skin - Rough Spanish to English translation by: Kassi Kennedy |
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In Egypt's sandy silence, all alone, Stands a gigantic Leg, which far off throws The only shadow that the Desert knows: "I am great OZYMANDIAS," saith the stone, "The King of Kings; this mighty City shows "The wonders of my hand." The City's gone, Nought but the Leg remaining to disclose The site of this forgotten Babylon. We wonder, and some Hunter may express Wonder like ours, when thro' the wilderness Where London stood, holding the Wolf in chace, He meets some fragments huge, and stops to guess What powerful but unrecorded race Once dwelt in that annihilated place. —Horace Smith.
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I want to write about how depression creeps up on you And swallows you with its mouth And how beyond the mouth is a hollow pit It never ends I want to write about how it feels to lose a friend I want to write about chipping nails to climb out of this pit |
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Golden stars swim in his eyes His voice is the color of velvet Calculated words make math worth while My secret becomes an outlet I want to swim naked in those eyes And hear him call my name And talk to him about everything A romantic heart the thing to blame But I'll never count the stars Or snuggle with the cloth of his words The only romance I'll know of him Is through the four right chords |
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Two more dead fish and a room with out anyone Depression won't let me forgive Namaste, Namaste, Namaste |
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Los dias no se descartan ni se suman, son abejas que ardieron de dulzuro o enfurecieron el aguijon: el certamen continua, van y vienen los viajes desde la miel al dolor. No, no se deshila la red de los anos: no hay red. No caen gota a gota desde un rio: no hay rio. El sueno no divide la vida en dos mitades, ni la accion, ni el silencio, ni la virtud: fue como una piedra la vida, un solo movimiento, una sola fogata que reverbero en el follaje, una flecha, una sola, lenta o activa, un metal que ascendio y descendio quemandose en tus huesos. - Pablo Neruda - - - - - - - - - - The days aren't discarded or collected, they are bees that burned with sweetness or maddened the sting: the struggle continues, the journeys go and come between honey and pain. No, the net of the years doesn't unweave: there is no net. They don't fall drop by drop from a river: there is no river. Sleep doesn't divide life into halves, or action, or silence or honor: life is like a stone, a single motion, a lonesome bonfire reflected on the leaves, an arrow, only one, slow or swift, a metal that clibs or descends burning in your bones. |
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I wanted to write a poem about bees with their suicidal sting and the sadness that I inherited But I don't know how to convey The beauty about stinging bees or the beauty of too much sadness |
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